This is a topic that I always come back to every couple of years, whenever faced with a new batch of college graduates and job hunters. General etiquette and preparedness for job fairs and networking. I find it is always worth repeating.
Always have a business card even if it isn’t your ideal design.
I was surprised by the number of people that didn’t have a card, whether because they haven’t designed one they liked or they just didn’t get to it. Continue reading →
A frequent problem of mine – coming up with too many tasks to do in my free time. Its something that plagues me when I’m too busy to add to the list; I have to keep piling it on. A backlog of games/books/movies, new projects, blog updates, clean out files on my computer or desk, picking up gardening, trying new recipes, begin an exercise program, catch up with old friends, and the list can go on and they do and they multiply. Often it leaves me just sitting and staring at the wall, not knowing which way I should be turning and my brain scattered across the room. Or even worse, it ends with endlessly streaming through Facebook posts and articles, mindlessly going where everyone has gone before. I feel lucky when it’s more productive procrastination, cleaning the apartment and reorganizing my desk, both usually on my “Household List.” In the end comes down to me not getting anything meaningful done.
I of course am inspired by greatness, just like anyone else. To see someone blow away the confines of normality. An artist, that effortlessly paints a masterpiece, with you just sitting there unbelieving of how easy it is. But I think that I am more inspired to see how those same people screw up. To see how it wasn’t smooth and how they are just like the rest of us. To see the way they work is how I work and that I am NOT doing it all wrong. To see that when you constantly redo the same gesture over and over again, amassing a pile of papers next to your desk, that the greats do the same thing. That is truly inspiring.
It instills the confidence needed to do great things. To push boundaries of convention. You are no longer focused on the technique of your task. You are now focused on your task and how to drive it forward. The technique means nothing if the outcome is right. This very concept is so important for any artist, whether they are a writer, painter, sculptor, or director. There is no right way to do it. There is only a right outcome and even then that gets a bit hazy.
I am a firm believer that when it comes down to your goals, it is your journey that makes the person. Again there is no right or wrong answer to this. Its what you get out of it. Can you learn from your mistakes? It is how comfortable you are with your path. YOU only have YOU to answer to. You can look for inspiration in all the greats, and yes that is a good place to start, but it comes down to you. YOU make it happen. YOU make the choices. YOU are the director of your masterpiece. We sometimes forget that, but those truly are words to live by.
This GDC is going to be interesting. I have been to GDC in 2005 and 2007 and both times I was on the opposite side of the wall that I have now stepped over. The first time, I was an observer at a carnival. A sophomore in college with no clue what I was getting myself into. I threw myself into the fire and hoped for the best. To say the least, it was mind blowing and walked away severely giddy.I knew I had chosen the right profession, but I still had no clue what I was doing.
Last year I chose to go back, but for a job which I didn’t get. It instead was a huge learning experience as to what employers were looking for and how I was viewed by companies with me coming straight out of college. Or, in my case, almost out of college but still having a graduation date to hurdle. My portfolio got kudos and was ripped apart and spit on, but that is all part of the experience.
Up until the point where you graduate and find a job (and really even after you are employed), GDC is an invaluable experience to get your work reviewed by industry professionals. These are the people that know what it takes to get into the industry. This is their lives.
Now here are some pointers on how to handle a critique. This is coming from classroom experience and my minimal conference experience (only 3 under my belt), but most of these have been told to me. I like to share, and if you have any more feel free to add.
Here are a few things to keep in mind when you approach a job booth or are asking for a portfolio critique. (Note: These aren’t points on what to say or how to make small talk, but just how to take a review graciously.)
Listen – This really should be the main focus. Sometimes the best advice can be received if you just take the time to listen. Brenda Brathwaite had a great post on her blog about how to react when you meet someone famous, or whos work you deeply respect.
Ask Questions – You want to improve and the best way is to ask how to do something better. It is pretty flattering when someone asks for your opinion, and usually the advice is worth while, but of course wait until they are done talking and keep it to clarification until the end. You don’t want them to lose their thought process.
Say Thank You! – This one comes in close second to listen. Keep in mind that the person you are talking to is very busy and is taking time to talk to you. Thank them up and down, but don’t start worshiping them. You might scare them and gain a restraining order. Even if they don’t think highly of your work you will still come across as a professional. It is surprising where good manners can get you. They might like you later.
Bad Review? – It hurts, and by hurts I mean it is like getting punched in the stomach and stomped on. Most of the time you won’t get a private review – it’s pretty rare that there are separate rooms in the booth for this. Most likely you will be standing next to someone who is trying to listen in and use the feedback you’re receiving to their benefit. Last year I experienced a negative review with others watching. I walked up to a company I wanted to work for and tried my best to get a portfolio review on the spot but was unable due to technical difficulties on their end. So, I was gracious for the try and handed them a copy of my reel and resume and walked away. My laptop was in my hotel room so I brought it the next day and asked for feedback and… I got feedback.I was ripped up one side and down the other. My ego was shattered and I did not want to approach anyone else to tell me what a crummy job I did. Now this was something I was trained to be able to handle, because I went to art school and this happens pretty often. It is one thing to receive this from your peers and another to receive it from someone you want a job from. Either way it hurts and most likely I deserved it to some extent.
Keep in mind that this is one of the great perks of being an artist and a bane. You have to deal with it.
Don’t break into tears. This should go without saying. It just makes things awkward.
Take what they are saying with a grain of salt. What they are saying isn’t fact. It is their opinion and everyone is going to say something different. Also, what employers are looking for is constantly changing. Technology is always changing. It happens. But this is the industry you chose and you must keep up.
Don’t argue. Listen. In the future you may run into this person again with a better portfolio. You don’t want them to remember you as the person who argued with them for an hour at GDC last year.
One of the best pieces of advice I got from an industry professional (about portfolios) is to remember that this is your portfolio, not theirs. This is something that you have put your sweat and blood into and it shows a lot about who you are. Ideally, you will make a different reel for every company you submit to, but at GDC that is crazy. Maybe for your top picks have some personalized ones ready but for the majority you are going to show what you find to be your best work. Though if you are getting recurring comments on your reel, you may want to rethink the topic in question.
Portfolio critiques can be painful, but are a necessity if you wish to improve your work. You have to take the plunge and they do get easier with time. I promise.
If you are looking for information on networking at a conference, read Darius Kazemi’s series on networking on his blog Tiny Subversions. He says it way better than I could and he has the experience to boot.